Poetry, Spoken Word, Free-form Poetry
September 29, 2020
Imagine standing on the precipice of dreams, where every word whispers like the gusts of a melancholic wind and every line is drenched in the wistful glow of a California sunset. This is the landscape of "Violet Bent Backwards Over the Grass", Lana Del Rey's debut collection of poetry that truly solidifies her as an evocative writer of our time.
This collection is not just another peek into Del Rey’s artistic mind; it is an invitation to journey with her through the meandering corridors of love, identity, and the shimmering haze of the American dream. With over thirty poems, including captivating titles like "Never to Heaven," "The Land of 1,000 Fires," and "Paradise Is Very Fragile," each poem serves as a different window into her soul, offering eclectic, honest, and reflective musings that capture the essence of human experience.
Lana Del Rey has made a name for herself with her distinctive blend of nostalgia and melancholic romance, and this collection is no exception. Themes of love pulsate through the pages, ranging from the intoxicating highs to the soul-crushing lows. There are explorations of self, where identity is peeled back layer by layer, revealing the raw and unguarded heart beneath. The American landscape unfurls as a backdrop, ever-present and storied, adding depth and dimension to her poetical reflections.
More than just conveying stories, her poems evoke feelings — the longing for something just out of reach, the bittersweet taste of memory, and the fragile beauty of the moment. In "LA Who Am I to Love You?", Del Rey’s love letter to Los Angeles becomes a mirror reflecting her insecurities and aspirations, and "Never to Heaven" is a haunting contemplation of mortality and the divine.
What sets Lana Del Rey’s writing apart is her innate ability to transform the mundane into something dreamlike and ethereal. Her verses are often free-form, eschewing traditional rhythm and rhyme in favor of a fluid, organic cadence that feels like an intimate conversation with a close friend. Each poem resonates with her signature dreamy aesthetic; rich, visceral imagery paints each page with the colors of longing and serenity.
Her words ebb and flow like tides. Sometimes they come crashing in with raw, unfiltered emotion, and at other times, they recede gently, leaving behind traces of meaning and introspection. This lack of rigid structure creates an ever-shifting landscape where you never quite know what to expect, but you're always eager to see where the next line will take you.
This book is not just for fans of Lana Del Rey’s music—though they will undoubtedly find much to love here—but for anyone who appreciates the beauty of words and the deep ache of human experience. It’s a treasure trove for lovers of free-form and spoken word poetry, where the usual confines of structure do not inhibit the flow of genuine emotion.
If you find solace in the bittersweet or if you’re a seeker of deeper meaning hidden within the folds of simple moments, this collection will speak to you. It’s suited for those who love to linger over a line, to savor the taste of a beautifully constructed phrase, and to lose themselves in the swirling currents of lyrical expression.
Enhancing the poetic experience, Del Rey includes her typewritten manuscript pages and original photography within the book. These elements add a tactile dimension that pulls you even deeper into her world. The typewritten text feels personal and intimate, as though you are holding a piece of her creative process in your hands, while her photography offers visual poetry that complements the words, creating a fuller, richer experience.
"Violet Bent Backwards Over the Grass" is more than just a collection of poems; it’s a mesmeric glimpse into the existence of a cultural enigma. Lana Del Rey’s influence on modern music and pop culture is undeniably vast, and this book cements her role as a significant voice in contemporary literature. It’s been noted by The Atlantic for its authenticity and profound reflections, marking it as an important contribution to the literary tapestry of our times.
By daring to bare her soul in such an unguarded way, Del Rey opens up a dialogue on the complexities of fame, the poignancy of fleeting moments, and the universal search for meaning and love. She bridges the gap between celebrity and humanity, offering her readers not just poetry, but pieces of herself that resonate and linger long after the last page is turned.
Unlike traditional narratives, there is no linear plot to follow here. Instead, you are presented with a collection of poetic reflections—each one a snapshot of Del Rey's thoughts and observations. The poems are like ephemeral moments captured in a jar, glowing with the light of introspection and emotional depth.
In many of the pieces, there’s an addressing of an unidentified ‘you,’ creating an intimacy that draws you in, making you part of the narrative, the reflection, the longing. Whether it’s a meditation on paradise in "Paradise Is Very Fragile" or the existential queries found in "Never to Heaven," you are left with the sense of walking alongside Del Rey, sharing in her musings and melancholy.
Steeping yourself in "Violet Bent Backwards Over the Grass" is not merely reading poetry; it’s an experience—subtle, profound, and hauntingly beautiful. It’s a journey through the ethereal corridors of Lana Del Rey’s mind, where every poem is a doorway to a more profound understanding of love, identity, and the ephemeral beauty of life itself.
Whether you are a connoisseur of the poetic form or new to the world of poetry, this collection offers a rich well of emotion and insight. It’s an invitation to reflect, to dream, and to embrace the delicate intricacies that make up the human experience—accentuated through the unique lens of one of today's most enigmatic artists. So, open those pages, let the words wash over you, and find yourself entwined in the beautiful melancholy of "Violet Bent Backwards Over the Grass."